Feid released “Confessions II The Film” on June 8, 2026, a collaborative visual project with Madonna that premiered exclusively on YouTube at 8AM PST / 11AM EST. The Colombian artist confirmed the project on Instagram, tagging Madonna and crediting photographer Ricardo Gomes.
More than 119,000 people liked the announcement before the film went live. That’s a strong early signal of genuine interest in the collaboration.
Feid, born Salomón Villada Hoyos in Medellín, Colombia, has spent the past several years building one of the most consistent creative runs in Latin music. His reggaeton and Latin trap records have earned him a global audience. He’s collaborated with J Balvin, Karol G, and Bad Bunny. Those partnerships reflect how seriously the genre’s biggest names take him. Beyond the music, Feid has built a reputation for treating visual work with real care. His rollouts tend to be deliberate. He named photographer Ricardo Gomes in the same announcement as Madonna, a signal that the visual dimension of this project carries serious weight.
Madonna’s career spans more than four decades and stands as one of pop music’s most studied creative journeys. She’s reshaped her sound and image multiple times. She’s done it by engaging genuinely with the scenes around her rather than simply borrowing from them. Her 2005 album “Confessions on a Dance Floor” remains the clearest example of that approach. That record found her fully embedded in contemporary dance music. It earned wide critical praise. The name “Confessions II” in today’s film title carries a direct echo of that era. The connection might run deep creatively, or it might rest mostly in the name. Viewers are finding out right now.
The choice to release this as a film rather than a music video is deliberate. Visual films have become a meaningful format for artists who want their visual work evaluated as its own creative thing. YouTube as the exclusive premiere platform puts it in front of a massive global audience immediately. For Latin artists especially, the platform has become central to building reach beyond regional markets.
What makes “Confessions II The Film” an unusual project is the specific weight of its two creators. Feid sits at the forward edge of Latin pop right now. Madonna has shaped what popular music looks and sounds like across multiple generations. Bringing those two histories together in a shared film is a rare thing. The visual credentials behind it – a credited photographer, a global exclusive premiere – suggest this was built with real ambition.
Gomes’s inclusion in the launch announcement adds meaningful context. Crediting a photographer at the top of a film premiere announcement puts visual craft front and center. It frames “Confessions II The Film” as something more than a promotional piece.
The film is streaming on YouTube now.
