– Documentaries, short films and features are heading to the industry event, which takes place from 9-13 March during the 29th Málaga Film Festival
Olivia Delcán, whose project La hija bastarda has been selected
The Málaga Festival Fund & Co Production Event (MAFF) is being held within MAFIZ – Málaga Film Festival Industry Zone from 9-13 March, during the 29th edition of the Málaga Film Festival. The forum seeks to collaborate on the process of developing an innovative form of Ibero-American cinema, with content that raises awareness, prompts reflection on the changes being sought in the world and helps build inclusive, collaborative societies.
MAFF is a space that fosters artistic, financial and innovation growth, and boosts the visibility of projects, building a network of contacts, increasing the chances of financing and promoting an effective communication space that facilitates dialogue between production companies, producers and professionals from the global audiovisual industry. To this end, it offers training activities, mentoring and business matchmaking, which will contribute to striking deals that will enable the future financing of the 27 selected projects, listed at the end of this article, as the event brings together the main international co-production funds in the city of Málaga.
Among the participants are La hija bastarda, the feature-length directorial debut by Spanish actress Olivia Delcán (known for titles such as Isla bonita [+see also:
film review
trailer
film profile], by and starring Fernando Colomo, and who teamed up with actor Nacho Sánchez to co-direct the short Instrucciones para cocinar un pollo bajo tierra, which premiered at the latest Seminci and is competing at Málaga), a freewheeling, unpredictable tragicomedy that blends grief with identity and popular culture, which scooped the top prize at the 2025 Atlàntida Mallorca Talents Lab; Caprichos by fellow Spaniard Teresa Carril, a project likewise presented at the latest edition of the Mallorca Talents Lab at the Atlàntida Film Fest; and Carro seco by Valencian filmmaker Javier Polo (The Mystery of the Pink Flamingo [+see also:
film review
trailer
film profile], Pet Peeves [+see also:
film review
trailer
interview: Javier Polo
film profile]), whose logline is nothing if not intriguing, as it is the story of a serial killer who murders while playing pétanque, but also that of a vigilante moved by the social phenomenon of gentrification: this Robin Hood of the housing market kills in Barcelona and justifies his crimes as being for the common good, splitting public opinion.
Among the Latin American projects are Aquí me bajo yo, a family drama by Chilean helmer Matías Bize (In Bed, The Memory of Water [+see also:
trailer
interview: Matías Bize, Elena Anaya & …
film profile]); the dramedy Los amigos de mis papás by Argentinian director Romina Tamburello (Vera and the Pleasure of Others), which dares to pry into parents’ sex lives; Por qué volvías cada verano by Argentinian producer-director Lorena Muñoz (Facing the Wind [+see also:
film review
trailer
film profile]); and Je vous salue, Perú by Yaela Gottlieb, a non-fiction work that traces the trail the French master Jean-Luc Godard left in her country in the 1950s.
During the in-person days, MAFF offers the professional teams behind the projects a space to connect with key figures from the global audiovisual industry, with whom they will be able to interact in order to seek out new technological solutions as well as to develop new initiatives across the various sections that make up the Málaga-based audiovisual market. All of those selected will become part of an international promotional catalogue that MAFF has created to promote the content and the teams, with the aim of facilitating the search for financing and introducing new content to the industry and audiences interested in Ibero-American cinema.
Here is the full list of projects:
Málaga Festival Fund & Co Production Event (MAFF)
El otro Gómez – Martín Aliaga (Argentina)
Production: Mariana Ricciardi
Muerte en Torrevieja – Adriana Arratia (Spain)
Production: Araceli Isaac Delso
La caza y la pesca – María Victoria Andino (Argentina)
Production: María Eugenia Lombardi
Aquí me bajo yo – Matías Bize (Chile)
Production: Nicholas Hooper H
Caprichos – Teresa Carril (Spain)
Production: Álex Arregui
Los indecentes – Jean Michel Cerf (Uruguay)
Production: Valentina Gedanke
Los huecos de la Luna – Paula D’Angelo Schmid (Peru)
Production: Norma Velásquez Chavez
La hija bastarda – Olivia Delcán (Spain)
Production: César Esteban Alenda
Carretera de supervivencia – Rodrigo García Chapetón (Guatemala)
Production: Xavier Solano
Je vous salue, Perú – Yaela Gottlieb (Peru) (documentary)
Production: Nicolás Carrasco
El sabor del Jocote – Tonio Hecker (Colombia)
Production: Catalina Flórez Ibarra
Los vivos y los patos – José Luis Isoard Arrubarrena (Mexico)
Production: Paloma Petra
Diamante, el bailarín – Pedro Jorge (Brazil)
Production: Heverton Lima
Latitudes – Pablo Malek (Peru)
Production: Jorge Constantino
Témpanos – Gabriel Montiel (Chile)
Production: Luis Cifuentes Saravia
Stella Maris – Laura Muñoz Liaño (Spain)
Production: Elisa Bogalheiro
Por qué volvías cada verano – Lorena Muñoz (Argentina)
Production: Valeria Bistagnino
Zona de sacrificio – Violeta Paus Soto (Chile)
Production: Álvaro Manzano Zambrana
Avenida Perú – Dennis Perinango (Peru)
Production: Jorge G Castañeda
En camino – Guillermo Piñón (Mexico)
Production: Ozcar Ramírez González
Videoclub 2001 – Guillermo Polo (Spain) (short film)
Production: Victoria Pérez de la Cruz
Carro seco – Javier Polo (Spain)
Production: Victoria Pérez de la Cruz
Menarquía – Jairo Ramos (Panama)
Production: Tania Medina Caro
El valle de los huesos (The Valley of Echoes) – Adán Ruiz (Mexico)
Production: Yuli Rodríguez
El legado de Reina – Tatiana Salamin (Panama) (documentary)
Production: Carlos Harbar
Letargia – Fabian Suárez (Cuba/Mexico/Colombia)
Production: Camelia Farfán, Ivette Liang
Los amigos de mis papás – Romina Tamburello (Argentina)
Production: Santiago King
(Translated from Spanish)
