Rating: 5 out of 5.
We all know who Michael Jackson is. There is hardly a person in the world who hasn’t heard his name, his music, or felt the impact of his legacy – except maybe those who were just born. There’s already a lot of conversation around Michael and why the film doesn’t focus on what happened later in his life. But honestly, Michael Jackson’s story is far too big to fit into one film – let alone one chapter of his life. Some critics and media voices may have preferred the film to dive into the controversies and allegations, but that’s not what this story is trying to do. And maybe that’s the point. Because before we talk about what happened later… we need to understand how it all started.
Directed by Antoine Fuqua and written by John Logan, Michael takes us back to the rise of the Jackson 5 in the 1960s and follows the early journey of Michael Jackson into the late 1980s. Portrayed by Jaafar Jackson – his real-life nephew. the performance already carries something deeper than acting. It feels personal. And that authenticity shows. The film doesn’t just tell us where Michael started – it shows us how he broke away from everything that shaped him to become the global icon we know today. But before the fame, before the legend, there was struggle. Emotional, psychological, financial, and deeply controlling pressure – especially from his father, Joseph Jackson.
At the same time, the film brings us closer to his world – his brothers, his loving mother, and the people around him. It reminds us that this is not just a story about fame. It’s about a child trying to hold onto innocence in a world that demanded everything from him. His fascination with Peter Pan and Neverland suddenly makes more sense – not as fantasy, but as something deeply human.
What stood out to me the most is how the film highlights Michael’s kindness. His generosity. His heart. There’s a moment connected to when he was injured during a Pepsi commercial shoot – when he suffered burns and was taken to the hospital. Seeing how many people were in pain, how many children were suffering, deeply affected him. And in that moment, he made a decision – to give back. To donate everything to the hospital, every penny, so the hospital could continue providing adequate treatments.
It wasn’t about money for him. It never was. It was about helping people. Healing people. Especially children. And you can feel that this wasn’t an image or something created for the public – it was who Michael Jackson truly was. At his core, Michael wasn’t just trying to be famous. He was trying to make the world better.
The film also dives into his creative genius. He didn’t want to create something temporary, he wanted to create something timeless. Something that would change the world. His inspiration for Billie Jean, influenced by classic horror film, or just black-and-white cinema and icons like Charlie Chaplin, is one of those details that makes you stop and realize how layered his artistry truly was.
And visually? The film delivers. The performances, the concerts, the dance sequences – it’s all there. Even small touches, like his iconic chimp recreated through CGI, add to the experience without taking away from the emotion. But what truly carries this film is Jaafar Jackson. There are moments where you genuinely forget you’re watching someone else. The resemblance, the movement, the voice – it’s almost unreal. It’s not just a performance. It’s a transformation. And honestly, it’s one of the biggest reasons this film will connect with audiences on such a massive level.
The film also doesn’t ignore the pain. It shows the abuse Michael endured growing up and how long it took him to break that cycle – even making the powerful decision to fire his own father as his manager. That moment alone says everything. It reminds us that becoming who you are sometimes means walking away from where you came from. And that’s what this film is really about. It’s not just about how Michael Jackson became the King of Pop. It’s about how a human being fought to become himself.
The ending feels symbolic – like the exact moment the legend is born. And for me, the absence of the later controversies didn’t feel like something missing. It felt intentional. That’s another story. Another film. Another level. For now, this is the beginning we needed. It’s a powerful, mostly family-friendly film (with a few difficult moments from his childhood), and a tribute to someone who was truly larger than life. Because the truth is – most of us will be remembered within our own small circles. But Michael Jackson? He belongs to the world. And he always will.
